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5/17/13

Detroit Derby Girls: Grudge Match for 3rd Place


The D-Funk Allstars versus the Devil's Night Dames, in the Grudge Match for third place, May 4th, 2013

The bout started with D-Funk scoring 4, and calling off the jam before the Dames could score at all. They did this consecutively for the first 3 jams. The pattern was broken in the fourth jam, when Feta Sleaze of the Dames received the first jammer penalty, allowing Ally Sin Shoverland to capitalize on the power jam, and score 15. The Dames got another jammer penalty in the 6th, with Swift Justice being sent to the penalty box. Tinja scored another 20 points for D-Funk on this power jam, and put the score at 51-0.

The Dames didn't score until the 10th jam. Swift Justice scored 5 before calling off the jam, and preventing Meryl Slaugterburgh from adding any more for D-Funk.

Another big play from Ally in the 11th, scoring 14 points, but this time without the aid of a power jam. Ally didn't have to wait long for another power jam. Muffy Mafioso got sent to the box in the 13 jam, and Ally scored 24. Tinja scored 14 in the 14th jam before being sent to the penalty box. This was the first time that D-Funk had a jammer sent to the penalty box this bout. Most of Tinja's penalty time carried over into the 15th jam. Murder City Mistress was jamming for the Dames in this power jam, and scored 7, but the Dames still had a 19-118 deficit.

The last jam of the first half was confusing. Each team had 2 blockers in the penalty box at one point, but D-Funk's Roxanna Hardplace got the edge by gaining lead jammer status. Roxanna scored 12 points, but Swift Justice also scored 15 for the Dames. It was the first double-digit scoring drive of the bout for the Dames. Why didn't Roxanna use her lead jammer status to end the jam before she could be outscored? Whatever her thought process was, D-Funk was still far ahead at the end of the first half, 138-41.

The second half started out slow, with 9 points for D-Funk and 4 for the Dames over the first four jams. The Dames made the first big play of the second half. After Ally got sent to the box, Doom Shakalaka, in the Dames 2nd power jam of the bout, scored 15. The Dames would get four more power jams over the course of the second half, but wouldn't manage to score more than 5 in any of them. In one particular power jam, when Ghetto Barbie got sent to the box, the rest of the D-Funk skaters on the track were able to shut down the Dames' Murder City Mistress.

There weren't any explosives plays from either team in the second half after the 5th jam, until the very last jam of the bout. Cat's Meow scored 20 points for D-Funk, despite spending a little time in the penalty box before being sprung out early. The Dames' jammer, Sufferin' Sucka Bash, got sent there too. Two of the Dames' blockers were also in the penalty box, giving Cat fewer obstacle to navigate. Final Score, 194-108 for D-Funk.

Through-out the second half the Dames had been scoring a little more consistently, netting 67, compared to just 41 in the first. D-Funk's performance was far more lopsided, scoring only 56 in the second half. Despite outscoring D-Funk in the second half, the deficit after the first was just too much for them to overcome.

Also, in case you were wondering, the Detroit Derby Girls' travel team defeated Talahassee during the closed bout on May 10, 357-73.

From the D-Funk Allstars, Captain Fatal Femme, Co-captain Mad Hatcher, Manager Luigi O'Rolly, and Manager El Mattador:
Detroit Area Dork: What are your initial thoughts on that bout?
Fatal Femme: I'm really tired. That was a really hard game.
Mad Hatcher: She earned her status in that game. Fatal really played hard.
F: They brought it. They did awesome. A good way to end the season, two last games up. Now most of the girls will take the summer off and relax. Now they can relax in a good key.
El Matador: Our ladies brought a lot of intensity. They played hard, with a lot of heart, and the other team brought it, but it was a good win.
D: In the first half you scored 138 points, but only 56 in the second half. How do you explain that?
F: We did pull back a little bit in the second half.
M: We gave other players who don't often get a chance to pivot or jam an opportunity to do that, so that we can give experience all across the board. When we have a lead like that, we like to spread it out and give other people playing time that might otherwise not get as much time.
D: Do you think the Dames changed their style of play in the second half?
F: I think they did. It definitely seemed like they had more fire in the second half.
Luigi: Their offense off the line was working a lot more in the second half than in the first half.
M: They were doing some inside pick, they were doing some outside pick, they were really holding their spaces. That forced us to have to readjust a little bit.
El: They came back a little bit hungry in the second half.
D: You didn't seem to have too many jammer penalties in this game. Is that something you were working on? (Checking afterwards, I see 6 for D-Funk, and 4 for the Dames)
F: I felt like we had a lot of jammer penalties.
M: It wasn't bad. I remember going in the second half, Ally and Rox didn't have any penalties, and I felt really good about that, because I know it's something they both focused on. They were both more penalty having in the beginning of the year.
F: I think every team across the board is trying to stay away from the edges more, trying to push up the center, and not be taken to the outs where they can get cutting calls. I think that helped a little bit, staying more in the center of the track as a jammer. Besides that, I don't know. Magic?
D: How do you sum up this season for D-Funk?
Luigi: I'm really proud of everyone. Everyone did a great job. Everyone got better as the season went along. We started off with a change of rule-set  so a lot of veterans had to relearn the new rules, and the new style of play. As the season went on and progressed everyone kind of got it. You can see in these last two games, it sort of all clicked.
El: Our don't think our goal really was to get to the championship. I think everyone is proud of how the season went.
M: Absolutely.
Luigi: We won more than we lost, which is always good.
D: Now that the season is over, what are you going to be looking for in the draft?
F: Big girls.
M: We have a lot of great, small, agile players, but we want to get a little mass and strength on our side.
Luigi: More variety.
F: They're solid, they can hold the wall. Literally, it's nice that we take up more space in the track if you're bigger. The way derby is now it's all about covering the track. Obviously, if there's a little spitfire jammer, we'll take her. We're not that picky.
El: From a coaching perspective, I want to see all my slim, lean players get a bigger upper body. Bigger arms, bigger shoulders, because we kind of kill it waist down. Just better cardio, more strength up top.
D: Do you have any info ahead of time about who is going to be retiring?
M: No, we usually learn that information over the course of the summer. I haven't heard anything from anyone yet, so we're just going to see what happens.

Dr. Rocktopus, Manager of the Devil's Night Dames:
Detroit Area Dork: What are your initial thoughts on that bout?Dr. Rocktopus: First half, a little sketchy with the penalties. I think that's what really set us back is that get some good power jams. You can't let that team have power jams. With jammers like Tinja and Rox, they can rack up points so fast. Second half was awesome. They really got together. I feel like there was a lot less penalty trouble. They just kept their walls solid. Their jammers initiated a lot more in the second half. It seemed like they got through a lot faster, and racked up the points.
D: What did you all talk about at halftime?R: We didn't really have a talk. We just kind of said, "the score is what it is, let's just have fun, let's have a fun game, and end this season on a fun note". Everyone just had fun on the bench, and they went out and played a killer second half.
D: Did you expect D-Funk to score so much so early in the game?R: You kind of always expect them to. I mean, they're a powerful team. They're deep from the top to the bottom of their bench. They're just stacked with a lot of amazing players. Seeing them score so much is not a surprise. You just have to do your best to combat it, and never give up on them.
D: How do you sum up this season for the Dames?R: I think we made a lot of positive moves in the right direction. I think we played a lot of really solid games. First half, we were strong all regular season. Put a lot of strong first halves out, kind of had trouble in the second half. I think that's where we're going back to look. The additions to the team are amazing. I think the more they practice together, and the more those girls play over the summer, it's going to build a stronger team. We've got a strong foundation right now, especially with the way that we try to give everybody a lot of playing time. It's just building a foundation, and that's what this season was. We got a good win against the Whippers, and I feel we played strong games throughout the rest of the season. I'm really pleased with how they played.
D: Do you know of any player retirements over the off-season?R: No one has said anything yet. I think everyone is just kind of soaking it all in. You never know what's going to happen over the course of the summer. People have real lives, where jobs change, lives change. No one's talked about it yet. Hopefully we can get everyone back, because I feel we have a really good foundation of a team right now.
D: What are you going to be looking for in the draft?R: You never know who is going to come into the draft. Sometimes you have an unreal transfer come in. They move to the area, and they want to play derby. Sometimes you see someone who just has a lot of natural talent. It's all at the last second. The girls watch them go through boot camp, and then they usually have a few scrimmages, and you just got to keep an eye on it. Sometimes it's not always about the best player, but the best fit for the team.
D: So there's not a particular talent of skill-set that you're going to aim for?R: Not necessarily.  I think good fit is sometimes more important than talent. It's just looking for those personalities that work with us.


This post written by:
I'm a dork, I live in the Detroit area, and sometimes I take blurry photos on an outdated camera

The Stranglers are coming May 30! Plus a few words from JJ Burnel

After a 20 year absence from Detroit (I was there!), the Stranglers are bringing their new album and four decades of awesomeness to the Majestic on May 30.


Thursday, May 30, 2013


This week, I got a chance to talk with Stranglers legendary bassist/singer/writer/asskicker JJ Burnel for a few minutes, and one of the things I wanted to know was why the tour was starting off in Detroit, one of only 8 cities on the North American tour. This kicked off a conversation about Our Fair City, which seems to interest JJ quite a bit.

"I was quite amazed, because the very first time I came to North America, people said 'you're playing Detroit!' and we actually played in Ann Arbor. And yet people said, at the time, 'Yeah, Iggy Pop and MC5 come from Detroit!' And I thought, fantastic, Motown! I'm intrigued that people generically call it 'Detroit' When we were in quite large communities that weren't in the metropolis at all."

I suggested there were a couple of answers to that: Detroit is really Michigan's only city, and sprawl brings Ann Arbor closer every day.

"Detroit has a musical pedigree, though -- a lot of the stuff I love! It's been such a long time, it's almost as if it's the first time we've ever been to North America, so I'm like a teenager all over again. I'm quite excited by the prospect. It is a long time, but I think we're ready for you. We're ready for you now. But are you ready for us now?" he laughed. "We're as good as we'll ever be!"

Some people just better looking. It's hardly fair.
I'll be bringing you more from the super-badass JJ Burnel in my post-show writeup. (I don't think it's much of a spoiler at this point to say that I'm smitten. Nothing like interviewing a favorite artist and having him turn out to be affable, smart, and downright charming.)

Their latest, "Giants," is their 17th official release: even with their massive history, the Stranglers are no nostalgia/reunion act. They've never stopped recording, performing, and evolving. Take a look at "Mercury Rising" from the new disc:

 


THE STRANGLERS NORTH AMERICAN TOUR DATES
05/30 – Majestic – Detroit, MI
05/31 – Danforth Music Hall – Toronto, ON
06/01 – Telus Theatre – Montreal, QC
06/03 – Highline Ballroom – New York, NY
06/04 – Brighton Music Hall – Boston, MA
06/05 – Union Transfer – Philadelphia, PA
06/07 – Cobra Lounge – Chicago, IL
06/09 – Iron & Ink Festival – Long Beach, CA

NXNE presents DAN DEACON / ST. LUCIA / VILLAGERS / NO JOY and The World Premiere of FILMAGE: The Story of DESCENDENTS/ALL

NORTH BY NORTHEAST (NXNE) announces more music, film and comedy programming for the 19th edition of the festival, taking over Toronto June 10-16, 2013 including electronic musician Dan Deacon, feature-length documentary FILMAGE: The Story of DESCENDENTS/ALL and comic Dylan Moran. Also launching today is the NXNE Schedulizer on nxne.com, where fans can choose their must-see NXNE events and create a personalized schedule. 

NXNE Music has confirmed the 2013 line-up will include indie rock group Wintersleep, electronic luminary Dan Deacon, synth popper St. Lucia, the only Canadian date for Villagers, Canadian psych shoegazers No Joy, art rock group Braids, dream pop duo Still Corners, Montreal pair Blue Hawaii, Toronto DJ Ryan Hemsworth, DIY rapper Fat Tony, experimental pop duo Dusted, retro rock trio Shannon and The Clams, psych rock brothers Tonstartssbandht, indie rockers Still Life Still, Gold & Youth of Arts & Crafts, Toronto industrial dance rockers Odonis Odonis, Montreal duo Valleys, synth-pop artist Big Black Delta, grunge rockers Roomrunner, Chad Valley with his vintage pop sounds, noise rock quartet Dope Body, Toronto’s July Talk and electro dance group Bear Mountain. For the full list of confirmed NXNE Music programming visit www.nxne.com/artists.

NXNE Film, in partnership with Hot Docs, will present 30 films June 13-16, including the world premiere of FILMAGE: The Story of DESCENDENTS/ALL. This documentary, screening Saturday, June 15, chronicles the long history of punk bands ALL and Descendents, and the driving force behind both – drummer Bill Stevenson. Trailer: www.youtube.com/watch?v=T12pLSYHQMI



NXNE Film will also screen The Rolling Stones - Charlie Is My Darling - Ireland 1965, an intimate, behind-the-scenes diary of life on the road with the young Rolling Stones, documenting the fan frenzy at their first professionally filmed concert performances; an encore presentation of The National’s Mistaken for Strangers along with the theatrical debut of music video Silver Trembling Hands by The Flaming Lips; and the world premiere of Authentic: Young Rival’s Journey Through Canada, which follows indie rockers Young Rival as the band tours across Canada. Single Film tickets go on sale Thursday, May 16. See the entire NXNE Film schedule at www.bit.ly/17pUTyc.

NXNE Comedy will present more comics and showcases then ever before, including the lewd Big Jay Oakerson at various NXNE venues and Just for Laughs favourite Dylan Moran on Sunday, June 16 at the Panasonic Theatre. The Canadian Comedy Awards will announce the 2013 nominees on Wednesday, June 12 at Yuk Yuks and the Toronto Sketch Comedy Festival will present their Best of the Fest showcase on Friday, June 14 at Measure as part of NXNE Comedy. For the full NXNE Comedy schedule, visit www.bit.ly/10Vv2FR.

NXNE Interactive has just confirmed that multidisciplinary artist Melissa Auf der Maur will host a panel called Women in Music: More Than Ever Before with members of Montreal trio No Joy and Toronto Star music critic Ben Rayner. Panelists will discuss the past, present and future of women in music and the role they take at the forefront of music today. The full list of NXNEi presenters is available here: www.nxne.com/presenters.

All NXNE passes, wristbands and tickets are now available online at www.nxne.com/tickets.

19 Years, 1000 Bands, 30 Films, 65 Interactive Sessions, 75 Comedians, 35 Visual Artists, 7 Days.
NXNE Facebook     NXNE Twitter

NXNE acknowledges the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's Private Radio Broadcasters

NXNE Media Contact: FLIP PUBLICITY, Damien Nelson 416.533.7710 X221 damien@flip-publicity.com 
MEDIA ACCREDITATION: www.nxne.com/information/media

Show Review: Capital Cities wsg Gold Fields and Love Life 5/15/13 at The Shelter at Saint Andrews Hall




Funky white boys, Capital Cities, played at Detroit’s The Shelter at Saint Andrews Hall this past Wednesday evening with Gold Fields and Love Life serving as openers. Capital Cities are the brain child of Los Angeles based Ryan Merchant and Sebu Simonian. Capital Cities effortlessly won over the audience with a exciting blend of funk, soul, pop, rock, and dance music.  The band are currently crisscrossing the United States in support of their major label debut, In A Tidal Wave of Mystery, due out June 4 on Capital Records. Their single “Safe and Sound” has become a radio hit and is currently sitting at #3 on the Billboard Alternative Chart. On Wednesday night, Capital Cities played all of the 5 tracks from 2012’s Capital Cities EP including the anthemic “I Sold My Bed, But Not My Stereo” and the funky “Center Stage”. Due to the fact that they only have a 5 track EP out as of now, they threw in a few familiar cover songs too. Capital Cities graced the crowd with covers of The Bee Gees “Stayin’ Alive”, Madonna’s “Holiday” and Sinead O’Connor’ s “Nothing Compares 2U.” Capital Cities ended the evening’s show with the Cash Cash remix of “Safe and Sound”, during which all 5 band members made their way through the audience to dance through the crowd.


Capital Cities have a whole bunch of on-stage antics that make them unique, from choreographed dancing during certain songs, to matching old school racing jackets, to the funked out trumpet playing of Spencer Ludwig, and  their witty banter with the audience. They performed one song complete with a choreographed line dance for the audience, soliciting the crowd to dance to the Capital Cities Shuffle (it goes something like right, clap, left, clap, spin and try not to hurt yourself.) Wednesday nights set also included the Siriusxm favorite “Kangaroo Court” and a whole bunch of new material from their upcoming debut. Capital Cities will next be in Detroit in August for the Mo Pop Festival at Freedom Hill Amphitheatre.  


Opener’s, Australia’s Gold Fields, are on their way to big things. Their blend of new wave, cow bell and electro-rock really got the crowd moving. They played tracks from their debut album, Black Sun, including “Dark Again” and “Happy Boy”. I would compare them to New Order, The Rapture, or other synth and percussion heavy bands. There was certainly no lack of dance-inspired beats during their quick, yet satisfying set. The sets highlight for me was their cover of Underworld’s “Born Slippy”, made popular from the 1996 film Trainspotting

5/16/13

Detroit Derby Girls this Saturday


Don't miss the Detroit Derby Girls 2013 Season Championship Bout on Saturday, May 18 at the Detroit Masonic Temple.

The undefeated Grand Prix Madonnas will take on the 3-1 Detroit Pistoffs in the final bout of the 2013 home season.

Doors open at 5 p.m. and the bout starts at 7. Enjoy pre-bout drink specials from the Masonic bars from 5-7 p.m.

Tickets are $15. Up to two children 12 and under are admitted free with each adult admission.

Detroit Derby Girls 2013 Season bouts have been selling out fast, so purchasing tickets in advance is highly recommended as tickets will likely NOT be available at the door.

The Masonic Temple is located at 500 Temple Street in Detroit.

Powers Distributing’s first Beer Expo draws 500 to Canterbury Village



More than 500 craft beer fans celebrated American Craft Beer Week last night along with Powers Distributing and the event’s dedicated partners by attending the first Craft Beer Expo, held at Canterbury Village  in Lake Orion.


With 17 participating breweries, six from Michigan, the Craft Beer Expo was deemed a success in its first year. All attendees received beer samples, enjoyed a strolling dinner and contributed a portion from each ticket to Rock Star (Sustainable Talent And Retention) Warriors. The Michigan nonprofit provides jobs for Michigan’s veterans. More than $3,500 was raised to support Rock Star Warrior’s mission.

“We were proud to partner with such fantastic organizations as Canterbury Village, Rock Star Warriors, WCSX 94.7, Yelp and all the amazing breweries,” said Dan Bryant, general manager, Craft and Specialty Division, Powers Distributing. “We’re so pleased with the turnout in this our first year. We look forward to bringing the event back again next year.”

Gary Thompson, chief operating officer of Powers Distributing, said Rock Star Warriors was chosen as the beneficiary because of their efforts and the work they do for our veterans. The contributions of all who attended last night “celebrate the service and return of those who have given the most for our safety, and those that make it possible for us to pursue our passions here at home,” he said.

Participating breweries at the Craft Beer Expo included: Cheboygan Brewing Company, Dragonmead Brewing Company, Kuhnhenn Brewing Company, North Peak Brewing Company, Saugatuck Brewing Company, Uncle John's Cider, Oskar Blues Brewery, Blue Moon Brewing Company, Tenth & Blake Beer Company, Samuel Adams – The Boston Beer Company, Magic Hat Brewing Company, Vermont Hard Cider Company (Woodchuck), Brooklyn Brewery, Boulder Beer Company, Tommyknocker Brewing Company, Spoetzl Brewery (Shiner), and Anchor Brewing Company.

Howling Diablos - The Castle Clinton Twp - Saturday 5/18

Howling Diablos LIVE!
 
 
 


ART OPENING: DETROIT: The Geometry of Time - Museum of New Art (MONA) - May 18, Saturday from 6-10pm


DETROIT: The Geometry of Time

The great imitator, art like life seems to repeat itself.

However the past is porous, entirely dependent for meaning on the experience of the present. 
Our understanding of cultural memory is also constantly reshaped by the present, and so never truly repeated either.



Detroit: The Geometry of Time affirms that, within recent artistic practices, interest lies in observing the mechanisms of this reinterpretation. The physicality of much of today's art is an active reconfiguration of the past, replaying known events and strategies while positing a "truer" version that is more in sync with current life.

Unconnected artists are breaking ever larger chunks of “history” into their work: the bending of form and genre, the lure and blur of the real itself, of the old with new.

The questions this exhibition explore play out constantly around those of us who live and create art in Detroit, and the Geometry of Time is a rigorous reframing of what we imagine to be urban truth and memory combined.

with
Bruce Giffin
Bryant Tillman
Jef Bourgeau

opening: May 18, Saturday from 6-10pm
Museum of New Art (MONA), 7 North Saginaw, Pontiac
telephone: 855-DET-MONA

DETROIT SWAGGER: Engelbert Humperdinck - Masonic Temple Cathedral Theatre - Wed November 6th 2013 presented by The Crofoot


Yes – you read that correctly…

Engelbert Humperdinck will be coming to play a show at Masonic Temple on November 6th

My hats off to The Crofoot who seem to be the horse to bet on in the Triple Crown of high stakes bookings these days.

After securing Sixto Rodriguez to a huge sellout gig (this weekend) and then reclaiming Adam Ant’s return to the states for his record release in August this buy on Humperdinck is another confident move booking huge non-mainstream artists to play at a The Masonic in Detroit.

I have been impressed that The Crofoot have mastered the art of cross venue booking throughout the years matching an artist to an appropriate  venue across the motorcity.  They have delivered shows to Lager House, Park Bar, Magic Stick/Majestic Theatre, Compuware Plymouth, ROMT, Loving Touch Ferndale, Jumbos (and probably a few more that I am not aware of) and continue to do so with these huge shows at The Masonic Temple Detroit.

I would refer to this as Detroit Swagger…I mean its one thing to bring great shows to town AT YOUR OWN ESTABLISHMENT but when you continuously populate the schedules of a multitude of your competitors venues then you have a unique business model that seems to be working quite well against all logical odds.

My money is on The Crofoot and Engelbert Humperdinck.






Legendary Crooner Engelbert Humperdinck to Play Cathedral Theatre at Detroit's Masonic Temple.
Touring in support of his first duets CD “Engelbert Calling.”

Wednesday, November 6, 2013. 7pm Doors. $39.50-$59.50
Produced by The Crofoot Presents

Engelbert Humperdinck will take the stage at Detroit's famed Cathedral Theater at the Masonic Temple on Wednesday, November 6, 2013. For ticket information, visit www.ENGELBERT.com or www.thecrofoot.com.

Tickets go on sale at 10 a.m. on Saturday, May 11, 2013 and are $49.50 or $39.50, with a limited number of $59.50 balcony box tickets available as well. 

Tickets can be purchased by calling 800-745-3000 or by visiting www.ticketmaster.com, all Ticketmaster outlets and the box offices of the Masonic Temple.

Humperdinck has released more than 80 plus albums of ballads earning Gold and Platinum status, and his career is recognized with four Grammy nominations, a Golden Globe for Entertainer of the Year and a star on the Hollywood Walk of Fame.

His 1967 signature tune, Release Me (And Let Me Love Again) from his debut album, was a number one hit in 11 countries and appeared on the British charts for 56 weeks. 

This concert tour is a brand new show where Humperdinck will debut a virtual duet with Elton John and other material from his upcoming DUETS CD, (also features tracks with Smokey Robinson, Willie Nelson, Charles Aznavour, Kenny Rogers and others), along with iconic songs from his vast catalogue, cherished by fans around the world.

The Crofoot Presents
Engelbert Humperdinck at the Cathedral Theater at Detroit's Masonic Temple.
Wednesday, November 6, 2013. 7pm Doors. $39.50-$59.50

For more information visit: www.ENGELBERT.com or  www.thecrofoot.com 

Cathedral Theater at Detroit's Masonic Temple located at 500 Temple St, Detroit, MI 48201. 

5/15/13

UPCOMING: Sunset at the Zoo 14 June



Sunset at the Zoo - June 14, 2013

What:
A spectacular
boardwalk-themed
evening featuring
the Detroit Zoo's
new boardwalk
and beaver habitat!

When:
Friday, June 14, 2013

Where:
Detroit Zoo
8450 W. 10 Mile Rd.
Royal Oak, MI 48067

Who:
21-and-older
Zoo supporters

Find out more:
About Sunset at the Zoo

 

  • Tantalizing Tastes
  • Delectable Drinks
  • Magnificent Music
  • Gripping Games
  • Astonishing Acts
  • Phenomenal Prizes

Buy your tickets today!
 

Order Tickets Online

#DZsunset

Proceeds benefit
Detroit Zoological Society
The Detroit Zoological Society is a non-profit organization that operates the Detroit Zoo and Belle Isle Nature Zoo
Copyright © 2013 Detroit Zoological Society

 


This Week and Beyond at PJ's Lager House

PJ's Lager House
1254 Michigan Ave
Corktown
Detroit
, MI

www.pjslagerhouse.com

KITCHEN IS OPEN
M-F 11am - Midnight
Sat + Sun 10:30am - Midnight
Sat + Sun BRUNCH 10:30 - 3pm
Sunday Dinner 6pm - Midnight


For those hungry and stuck at work, we now DELIVER M-F via Hotspokes Bicycle delivery M- F!

All shows 21+ unless otherwise noted.
Sat May 18
Future Slang, Justin Walker and the Crossguards, Benedict Arnold & the Traitorstba, Cosmic Light Shapes $5


 Future Slang formed as Kyle McBee, Dmitry Shteynvil, and Stephen Cooper-McCann in 2011, with Nick Thornton stepping in as Stephen's replacement in 2012 after a series of shows performed with Cosmic Light Shapes' Eugene Strobe helping out on bass.
https://www.facebook.com/pages/Future-Slang/286355514760062

J. Walker & the Crossguards
Known to many locals as "Justin Audio" (in tribute to his former group, Velvet Audio, RIP), J. Walker now fronts a new conglomerate of Detroit's best. Somewhere between the comparably riffed and rigid curbs of Bo Diddley and Gang of Four, stands our Crossguard, J. Walker. He’s the next up to bat for the Beehive collective, having his sensibilities for gnarly soul, fuzzed-out funk and shimmied-punk bolstered by the brass and bass of a cool, cookin’ Beehive-built band.
http://freemusicarchive.org/music/JWalker__The_Crossguards/


Mon May 20
Tyvek, Eat Skull, Roach Clip $6

Tyvek -- Named after a popular brand of synthetic home-siding, Detroit lo-fi garage rockers Tyvek started gaining recognition in 2008 alongside fellow noise poppers Vivian Girls, Times New Viking, and Eat Skull. After recording a multitude of singles and 7"s for the labels X, What's Your Rupture?, M'Lady's Records, S-S, and Sub Pop, the band took a year to record its first full-length, which was scheduled for release on Siltbreeze in the spring of 2009. The album's release date was postponed for undisclosed reasons and the band underwent a name change (likely pressured by the threat of copyright infringement from Dupont), switching to TVK and Tijvek before settling on Tyvek. The band ramped up in 2010, releasing the demo LP Skyin and its first album for In the Red, Nothing Fits. In 2012 the band followed up with another monument to lo-fi, On Triple Beams.
http://tyvek.bandcamp.com/

Eat Skull -- In the context of Led Zeppelin’s discography, III is the “soft” record. Before then, Zeppelin was known as a bunch of knuckle-dragging lemon-squeezers who distorted the blues with consciousness-shifting levels of pure volume. But on III, they embraced acoustic instrumentation and more thoughtful songwriting. This bugged old fans, but it made the band more palatable for everybody else. Portland noise-poppers Eat Skull exist in a stranger, less shlong-y dimension than the mighty Zep, but its latest record III similarly departs from the cacophony that precedes it. The disembodied, screechy detritus floating amidst the sneakily catchy songs on the first two Eat Skull records has been pushed down low into a foreboding hum on III-- or removed altogether. It hardly seems accurate to describe III as noise-pop at all-- it’s just a straight-up pop record, and a very good one at that.
The easy-listening aspects of III are sure to disappoint those who love Eat Skull for its in-the-red side. Thankfully, the group hasn’t lost all of its weirdness. With III, Eat Skull is willing to be loved-- and be loveable, too.
https://www.facebook.com/pages/Eat-Skull/242553573363

Roachclip - This fantastic teen/garage group from one of our current favourite labels with connections to The Bibs et al: Roachclip play an amazing devolved version of USA garage with the kinda songs that would combine the optimism of the first Modern Lovers or the Hackamore Brick LPs but with an extremely crude no-technique appeal that could be Index covering The Velvet Underground’s “Black Angel’s Death Song” for K Records. The addition of organ gives them a cool, moody Rising Storm appeal while the levels of no count look to UK rubes like Desperate Bicycles but the kinda collapsing universe these guys specialise in might be better understood as a basement American take on the post Shaggs/Jandek pop music of Mad Nanna. VT
https://www.facebook.com/pages/Roachclip/122059211186563

Hatchback 7: Artist Talks, Velveteen Rabbit and More




Hatchback 7, the annual juried art exhibition and sale sponsored by Hatch: A Hamtramck Art Collective, continues its series of artist talks from 6:00 pm to 7:00 pm and musical performances starting at 7:00 pm on Saturday, May 18th and Saturday May 25th.

This Saturday we’re delighted to have a performance by Detroit’s own Velveteen Rabbit starting at 7:00 pm.  Please join us for an exciting evening of art and music!

Hatch Gallery, 3456 Evaline St., Hamtramck

Saturday, May 18

1pm to 8pm - Gallery open

6pm to 7pm - Artist talks
Mariuca Rofick, Stephanie Chisholm, Alex Buzzolini

7pm to 8pm - Music by Velveteen Rabbit
(www.facebook.com/events/111826789021675)



Saturday, May 25 (Show Closing)

1pm to 8pm - Gallery open

3pm to 6pm - Studio Open House
Explore the building and see what our studio artists are up to.

6pm to 7pm - Artist talks
Neil Ahrens, Salwan Georges

7pm to 9pm - Music by Tinder Tiger followed by Emily Rose

About the Show:
Juror: Sarah Turner

Featured Artists:
Adriana Acosta, Neil Ahrens, Jide Aje, Bonnie Amos, Carl Amyoni, Anita Andersons, Alyssa Baron-Klask, Alexander Buzzalini, Stephanie Chisholm, Topher Crowder, Amber Dietz, Salwan Georges, Christian Helser, Heather Kelly, Joe LaLonde, Candace Law, Eric Law, Matt Lewis, Alec Linton, Tina Logan, Laura Macintyre, Robert Piatek, Mariuca Rofick, Simone Schiffmacher, Krysti Spence, Jack O. Summers, Mike Thompson, Sandi Wheaton, Marty Winters


More Details:
www.hatchart.org

www.facebook.com/groups/HatchArt

5/14/13

Show Preview: Dessa Pike Room, Thursday, May 16



Dessa is one of those artists who constantly challenge themselves to expand and redefine the constructs that set out to confine their music. While you could refer to Dessa as a rap artist and part of the Doomtree collective, she is so much more than just that. Dessa has taken her vocal abilities and musical intellect to create hip hop that transcends categorization, adding strings, poetry and singing to her melancholic grooves. Her last tour was described as part rap and part cabaret. With her latest record “Castor, Twin,” Dessa continues smash down boundaries with new arrangements of 10 of her previously released songs. Songs like “The BeeKeeper” are haunting renditions that feature piano and strings. Her vocals are at full strength as she combines a narrative style to her singing reveals shades of Lou Reed in her darker moments. Dessa brings her unique set to the Pike Room this Thursday along with Aby Wolf and local hip hop favorites Passalacqua.

Interview with Aaron Nordstrom of Gemini Syndrome



Gemini Syndrome recently performed at The Machine Shop in Flint, MI. with Device and Nonpoint. Aaron has quite the diverse musical background ranging from his all encompassing vocal range and style to multiple instruments and roles in other bands, notably Otep as a touring guitarist. Taking control of his destiny, he and fellow band members formed Gemini Syndrome back in 2010 to bring their own vision of music and lyrics to the masses. I had some time before the show to sit down with lead vocalist Aaron for a brief interview before they took the stage and delve in to his creative mind.

FREE ALBUM: AMSTERTROIT by StereoBoyz & Soul Daad


Stereo Boyz present

Free LP: SDSC ( Soul Daad & Stereo Crew) 

- AMSTERTROIT


SDSC (Soul Daad & Stereo Crew) - Amstertroit (cover)
Today Stereo Crew & Soul Daad release their free LP "AMSTERTROIT". As the title hints, this album is a result of Detroit and Amsterdam collaborating.
Stereo Boyz & Stereo Crew teamed up with Amsterdam's Soul Daad recently to produce and record "Amstertroit". The two teams of MCs and Producers first met on Twitter, exchanging beats and ideas. Amazed by the undeniable talent coming from overseas, the Stereo Boyz picked 3 beats by Soul Daad members Gianski & Bolle for their upcoming album "Carz, Clubz & Theaterz".
During their recent Europe Tour, the Stereo Boyz met the Soul Daad crew in person for the first time, and after a whole week in their Amsterdam headquarters, "AMSTERTROIT" was born. The LP consists of production and vocals from both crews, bilingual raps and great chemistry.
Mixo says: "We wanted to show a unity with this project, a unity in Hip Hop that, it seems, has been forgotten. This is positivity. This shows you that Hip Hop brings people together, and no language barriers or far distance can stop it."
"AMSTERTROIT" is now available for free download. Look out for the video to "Ooh La La", dropping in three weeks.



***
Logo plain

About Stereo Crew

The Stereo Crew is a collective of artists around the group Stereo Boyz, including Producers, MCs, singers and Filmmakers who all work together and come from Detroit, MI.
The members of the Stereo Crew will be musically introduced through different projects all throughout 2012 and 2013.
Find more info on Soul Daad here:




BassMent Rock-a-Boogie Live Review

BassMent Rock-a-Boogie

Presented By Churchouse

The Oasis Pub in Windsor was in full of life last Friday night. 
Admittedly, I'm not much of a country fan, but theses guys & gals put on a fantastic show. Doghouse Rose is  a charismatic group from London, Ontario. Their music is based mainly on country with a mixture of folk and some old school rock'n roll. The band puts on a spirited and lively performance. It was obvious the second they hit the stage that they where there to have fun and to put on a great show. 
The stand up bass has always been just plane "cool" and even more so when it's being flung skillfully around in mid air and being used as a prop by both Sarah and Jefferson.
Openers for the night consisting of , Ryan Lewis from the band Better Weather (Windsor), and Blackwood Honeybees from London did a great job especially considering they were booked at the last minute, literally! The headliners for the evening Doghouse Rose posted a msg on their facebook page asking for openers. 
The originally scheduled openers, Jessica Danfield and The Greasemarks had to cancel due to a death in the family and the other due to illness.



Follow Churchouse on Facebook to stay up to date on local events. 

5/13/13

SHOW PREVIEW: Detroit Dio Tribute benefit show Sat. May 18 with Jason Quayle interview

This Saturday night (May 18) marks the 4th annual Detroit Dio Tribute Benefit show for
the Ronnie James Dio "Stand Up and Shout" cancer fund and the Mount Clemens Regional Healthcare Foundation for cancer related illness.

All bands will be playing sets consisting of songs that Ronnie James Dio sang on throughout his career.

This year's bands include::
- Rainbow Rising featuring Maxine & Roxy Petrucci, with Rachel May
- Acoustic Doom featuring Brian Thomas of Halloween
- Banned From H.E.L.L., a Black Sabbath Tribute for the Dio Years.
- Dark Avenger
- Suckerpunch
- Stargazer
- EVILplay
 
Rock N' Roll memorabilia will be sold at the show by Rock N' Rummage.

The show is taking place at  
The Detroit Pub
33401 Harper Ave. in Clinton Twp, MI 48035


Advanced Ticket Sales at Brown Paper Tickets.
http://detroitdiotribute.brownpapertickets.com/ 
or buy them at the door !
7PM doors. $10 donation.
 

This night of Dio music to benefit cancer treatment and research is organized by Jason Quayle (guitarist for local Sabbath tribute bands Banned from E.A.R.T.H. and Banned from H.E.L.L.)
MCB caught up with Jason to talk about the upcoming show and the legendary DIO.


MCB: What made you start the The Detroit Dio Tribute Cancer Fundraiser 4 years ago?
I was very shocked and upset by Dio’s passing. I had been following his progress on-line and as late as March of 2010 I had seen a video report from a chemo treatment he was going through. He seemed thin and in not the best of shape but he was still hopeful. Then 2 months later a single report came out that things had taken a turn for the worse and a few days later on May 16, 2010 he was gone.  I was texting a friend about it shortly after the news came out and almost simultaneously he and I said that we should put together a tribute to Ronnie and donate the money to charity.

MCB: Where does the money raised at this event go to?
The first few events after his passing we gave 100% of the money to the Ronnie James Dio Stand Up and Shout against cancer fund. Wendy Dio set it up shortly after his passing. Over the last 3 years they have raised almost a half million dollars. But after the second year I’d seen that most of the money was being spent out in California. All of them good causes related to cancer screening and prevention but still not local.  I wanted to find a local Michigan nonprofit charity to give a portion of the money to. A friend who has been heavily involved in the Detroit Dio Tribute, Elaina Bean, did a bunch of research for the tribute and she found that a lot of the charities have CEO’s set up to administer the funds and many of these people are earning six figure incomes which gets paid for from the donated funds. Sometimes less than 50% of the donated money actually sees its way to helping the people that it was intended for.  But what Elaina found was that the Mt. Clemens Regional Healthcare Foundation is administered by hospital staff already on the payroll. 100% of all the money going into the fund goes to people needing financial help. We can designate it to go towards cancer treatment, screening, or what have you.  So the last few events we’ve done a 66 1/3 – 33 1/3 spit of the funds raised.  The smaller portion we’ve sent to the Dio fund and the larger stays here in Southeast Michigan and is donated in the name of Ronnie James Dio.

MCB: Have you heard from anyone in the Dio camp in regards to the benefit shows?
Strangely not. I did have an opportunity to talk with Eddie Trunk face to face shortly after last year’s Detroit Dio Tribute when my band was performing at the I-ROCK as musical support for the cast of That Metal Show’s tour.  He talked about all things that they do with Wendy Dio and their fundraisers. He did look interested in what we do here locally and got what I felt was his approval but nothing beyond that. I have no real means to contact them directly on an official level. Once a year I call Niji Entertainment which is the company that deals with Dio music, paraphernalia, and things of that nature, and they also administer the fund, just to make sure that the mailing address that I have is correct before I send them our check but the conversation never goes beyond that. I’ve posted flyers, and event invitations on their Facebook walls. I have not been shy about sharing the event and have gotten no comments at all from them. I don’t want to speculate why they seem un-interested.  

MCB: Is it difficult to get so many bands together to perform the music of one artist?  
Oh no.  Every year I’ve had to turn bands down.  Interest is growing every year too.  This year if I would have tried a little harder we could have had 10 plus bands perform.  But what’s neat about this event is not all the bands performing are full time bands.  They may be just a group of musicians that all have a love for Dio and his music and want to participate so they just get together with other like minded musicians, come up with a set list and an impromptu name for the group and play.  Some bands have stayed together because of the Detroit Dio Tribute. Some not. But a lot of the individual musicians have been back year after year with various projects. It’s a lot of fun for everybody.

MCB: What seems to get the majority vote as the best Dio song that all bands want to perform?
That’s a hard one. There are a few tunes that are mainstays but songs like Mob Rules, Last in Line are some of the most popular. There are probably 10 or 15 songs that have been played every year but there has not been a large amount of duplication between bands within a show. Maybe 3 songs get played twice for the entire night.  After the first year which was almost total chaos I worked harder to track the songs and get the different groups to send me their set list that they were working on and work up set times and try to arrange the bands so that if certain songs were duplicated that those two bands did not play adjacent to each other.  Sometimes though no matter how hard we try it just happens. Now I have a Facebook group for all the participants and a lot of the set lists get worked out months in advance behind the scenes. The general public does not see all that prep work. For instance one of the projects that I’m working on this year started with our set list last November and we started rehearsals in December. We’d had about 15 songs that we were kicking around and as other bands started coming up with their lists we started dropping songs to make sure there was little or no duplication. There is an enormous amount of prep to make sure the set’s all jive together. Also coming up with the order of play has been difficult. Of the 23 or so musicians that are playing, a few of them play in multiple projects.  We tried to have things arranged so nobody played in back to back sets.

MCB: What is your personal Dio song over his entire career and why?

I would probably say the live version of Neon Knights on the Black Sabbath Live Evil album.  Just listen to it. You’ll understand. A close second is Children of the Sea also on Live Evil.


Check out this footage of Jason performing in Banned From H.E.L.L., his Black Sabbath Tribute band for the Dio Years...



Wild Bill Ketelhut provides the "blog" to this anti-blog






Wild At Heart


Going into my third week of trips to the hospital visiting my mom in the ICU at the hospital. Not the place you want to spend Mother's Day but you do what you have to do. I was looking through my photos and came across a picture I took of my mom in Dublin, GA just a few weeks ago. Hard to believe it was between two different bouts in hospitals but she looks so good this day that it is hard to fathom she almost died twice in the three weeks after that picture was taken. I am so proud to have her as my mother and I pray for her recovery. Thanks for all the support.

My mom photo 100_6933_zpsb4f1ed0c.jpg

Despite my many trips to the hospital, I am trying to get out for some shows and just saw the Silversun Pickups at a local venue and despite enjoying the show there were a few things that pissed me off. Now my readers should remember that I was involved in numerous facets of the concert scene in Detroit from my work as a DJ on WXOU, my internship with Live Nation, my security job with Gallagher, among other things including my friendships with numerous venue owners so I was just going crazy at this show. As someone who attends a lot of shows or helps out at shows, it just amazes me how some places just have no clue. I ended up arriving late and asking about the opener to see what I missed. The headliner was coming up and I wonder how the person taking the tickets for the show for the past 2 hours doesn't even know the name of the headliner. Ok, I can understand not knowing the openers but how can someone at the venue not know who is playing. When I would do shows, I always try to make sure everyone at the venue had a basic understanding who the bands were as well as approx set times. OK, Maybe the girl at the door was someone's girlfriend and just showed up to help but it was something later that really pissed me off.

The concert venue itself is an old armory where my dad trained back when he was in the army and it is a unique venue. The sound system needs a little adjustment because if you are at the sides of the stage the sound isn’t that great but that is minor. What really got me going was an incident later on. A was sitting at a booth near the back (I just cannot stand for an entire show anymore) and a girl wasn’t feeling well and sat down across from me. The heat of the crowd got to her and she ended up throwing up at the end of the table and the floor. Never something you want to see at a show esp near where you are sitting. Two security guards helped her outside for some fresh air which was cool but what happened next really upset me.

Despite a number of security guards walking past, nobody was coming to clean up the mess. After a half hour it was still there with a sign. A drunk couple ended up sitting at that table not really even noticing the puke on the table and floor. All of a sudden the guy gets up and knocks the girl onto the floor into the puke and storms off. She is lying there for a bit and I was trying to get the attention of a couple of security agents who were looking in our direction but they never came over. I don’t know how these guys didn’t see what happened. She took off and I then tracked down the head of security to report his guys. When I worked for Gallagher, I cannot imagine missing something like that esp with about 20 guys on duty. And I cannot imagine any of the venues I worked with leaving a mess like that on the floor for over a ½ hour. The guy who eventually cleaned up the place didn’t even care and did a half-assed job at that. When told what happened he starting laughing. I was tempted to throw him into the puke and see how funny he thought it would be.

Things like this really piss me off. As a concert venue, you need to be working towards the fan experience and not put your customers into a situation where they can come to harm and the staff that night really dropped the ball and seemed unconcerned. It is one thing to put up with the overly drunk and stupid but when the venue staff and independent security team also acts that way it just takes the fun of an event. The Silversun Pickups and there cool fans deserved better that night. And can you venue owners please make sure your staff can answer at least general questions about the show. It doesn’t take that much time at the start of their shifts and your customers appreciate it.

Here are some good concerts at some good venues to choose from

Tuesday (5/14) - Sammy Hagar @ the Fillmore

Wednesday (5/15) - Airborne Toxic Event @ Majestic Theatre, Shout Out Louds @ Magic Bag

Thursday (5/16) - Vietnam @ Blind Pig, Cheap Trick @ MotorCity Sound Board, Buckcherry @ Hard Rock Cafe

Friday (5/17) - Whigs @ Magic Stick, Molly Hatchet @ Token Lounge

Saturday (5/18) - Rodriguez @ Masonic Temple, Sauce Boss @ Callahans, Verve Pipe @ the Ark, Sponge @ St Andrews Hall, Mitch Ryder w/Rare Earth @ Macomb Music Theatre, Laith Al Saadi @ Magic Bag

Sunday (5/19) - Of Montreal @ Crofoot, Shooter Jennings @ St Andrews Hall, Chicago @ Ceasar's Windsor

Monday (5/20) - Tyvek @ PJs Lager House

UV Race @Magic Stick


The UV Race
w/Timmy's Organism, Johnny Ill Band
Tuesday, May 14th, at the Magic Stick
$10, doors at 8

The Aussie genius avant-tards drag melodious pop songs through a glam-punk aesthetic similar to bands like Ty Segall, Eddie Current Suppression Ring, etc.

Their third LP was released last year on In The Red Records


HOTEL MOTEL - Jumbos - Friday 5/17

HOTEL MOTEL
James Linck
JP from the HP
 
Friday May 17th 2013
9pm
 
Jumbo's Detroit
3736 3rd St  Detroit, MI 48201
(313) 831-8949